Deep Tracks 87

1. Country Boy's Dream-Carl Perkins
2. Coisa de Louco-Wilson Simonal
3. Tobacco Road-Brother Jack McDuff
4. War Is Coming! War Is Coming!-WAR
5. I’m Free – The Rolling Stones
6. Step It Up And Go-Andreas Kilger
7. New York's My Home-Ray Charles
8. Sittin' On Top Of The World-Joe Stuart
9. Be My Guide – Leaving Texas
10. You're Gonna Make Me Cry-Little Milton
11. I'm in the Mood for Love-Delroy Wilson
12. Five Card Hand-William Clarke
13. Ako – Fela Kuti
14. Mr. Cool-Rasputin's Stash
15. Bulbs-Van Morrison
16. Ain’t No Way – David Lindley
17. Why Do Everything Happen To Me-B.B. King
18. Nine Pound Hammer-Merle Travis
19. Not Her Usual Man-Arlen Roth
20. It's All in Your Mind-Phillip Walker
21. Fuzz – David Newman

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Country Boy's Dream was recorded in 1967, during the lowest commercial and personal ebb of Perkins' career. It also represent his first serious foray into straight radio-ready country music. The lyrics have a biographic legitimacy perhaps unexpected in the genre and he simply shreds a six string. Carl Perkins' songs personified the rockabilly era, and Carl Perkins' sound personifies the rockabilly sound more so than anybody involved in it, because he never changed. Perkins' songs were recorded by artists (and friends) as influential as Elvis Presley, The Beatles, and Johnny Cash, which further cemented his place in the history of popular music.Called "the King of Rockabilly", he was inducted into the Rock and Roll, the Rockabilly, and the Nashville Songwriters halls of fame; and was a Grammy Hall of Fame Award recipient.

Wilson Simonal de Castro, a Brazilian singer, was born in Rio de Janeiro on February 26, 1939. He had great success during the 60's and early 70's in pop music. The beginning of the 70's was a troubled period in the Brazilian politics. At that time, he was accused of helping the military government by denouncing fellow artists who were involved in political left-wing movements. Partly because of these accusations, his career stalled and he never recaptured his initial success. This is a really cool piece of Brazilian ethno-pop.